Tony Oursler
United States
Oursler siempre ha estado interesado en Big Brother, cámaras de vigilancia, tecnología de reconocimiento facial, fotos policiales y DeepFace de Facebook. La exposición de Oursler consta de seis caras de aluminio pintado de 4 pies de altura, una cara de madera impresa en chorro, formando 'máscaras primitivas' articuladas conectando puntos de datos. Estos puntos están retroiluminados por pantallas LED, con ojos y bocas. Elementos sonoros de poemas contemplativos que discuten privacidad, identidad y personalidad. Los puntos cardinales nunca se mueven e incluyen las esquinas de los ojos, las esquinas de la boca, la punta de la nariz, los pómulos y el perímetro de la cara. Al hacer conexiones entre estos puntos, Oursler está filtrando datos de vigilancia a través de la lente vertical para alcanzar una serie de caras de color rojo, negro, blanco, azul y dorado.
Tony Oursler is a multimedia artist specialized in installations, performances and video creations. Oursler has always been interested in Big Brother, surveillance cameras, facial recognition technology, police photos, and Facebook's DeepFace. Oursler's exhibition consists of six 4-foot-tall painted aluminum faces, one jet-printed wooden face, forming 'primitive masks' articulated by connecting data points. These spots are backlit by LED displays, with eyes and mouths. Sound elements of contemplative poems that discuss privacy, identity and personality. The cardinal points never move and include the corners of the eyes, the corners of the mouth, the tip of the nose, the cheekbones and the perimeter of the face. By making connections between these points, Oursler is filtering surveillance data through the portrait lens to reach a series of red, black, white, blue, and gold colored faces.
More: https://tonyoursler.com/privte-tony-ourslers-multimedia-masks
United States
Oursler siempre ha estado interesado en Big Brother, cámaras de vigilancia, tecnología de reconocimiento facial, fotos policiales y DeepFace de Facebook. La exposición de Oursler consta de seis caras de aluminio pintado de 4 pies de altura, una cara de madera impresa en chorro, formando 'máscaras primitivas' articuladas conectando puntos de datos. Estos puntos están retroiluminados por pantallas LED, con ojos y bocas. Elementos sonoros de poemas contemplativos que discuten privacidad, identidad y personalidad. Los puntos cardinales nunca se mueven e incluyen las esquinas de los ojos, las esquinas de la boca, la punta de la nariz, los pómulos y el perímetro de la cara. Al hacer conexiones entre estos puntos, Oursler está filtrando datos de vigilancia a través de la lente vertical para alcanzar una serie de caras de color rojo, negro, blanco, azul y dorado.
Tony Oursler is a multimedia artist specialized in installations, performances and video creations. Oursler has always been interested in Big Brother, surveillance cameras, facial recognition technology, police photos, and Facebook's DeepFace. Oursler's exhibition consists of six 4-foot-tall painted aluminum faces, one jet-printed wooden face, forming 'primitive masks' articulated by connecting data points. These spots are backlit by LED displays, with eyes and mouths. Sound elements of contemplative poems that discuss privacy, identity and personality. The cardinal points never move and include the corners of the eyes, the corners of the mouth, the tip of the nose, the cheekbones and the perimeter of the face. By making connections between these points, Oursler is filtering surveillance data through the portrait lens to reach a series of red, black, white, blue, and gold colored faces.
More: https://tonyoursler.com/privte-tony-ourslers-multimedia-masks
