Julian Dupont
Colombia
Colombia
A través de los límites físicos, territoriales y protectores, este trabajo nos permite fracturarlos. Por ejemplo, mediante una meditación visual sobre la abstracción de la guerra, o una distorsión del antropomorfismo perceptible. Este trabajo conecta las complejidades que nutren los cuerpos descoloniales, la política deconstruida y la identidad. El "búnker portátil" forma parte del proyecto "Arqueología del búnker hipervisible". Las bolsas estaban llenas de hojas de coca, la planta sagrada de la comunidad indígena del Cauca de la NASA, llevando consigo el interior de lo sagrado para la ancestralidad amerindia, en contraste con la exterioridad marcada por la arquitectura del conflicto (trinchera). En el medio de ese hiperornamentado exterior y profundamente privado, está la máscara. La máscara está vinculada a la "ruana" (prenda exterior de estilo poncho originaria de los Andes) para representar a un médico chamánico que armoniza la noche en rituales muy largos. Pero el doctor también está adentro, como las hojas de coca. Los adornos se convierten en un índice de ontologías barrocas multidimensionales latinoamericanas.
Through the physical, territorial and protective limits, this work is allowing us to fracture them. For instance, by a visual meditation on the abstractness of war, or a distortion of the perceptible anthropomorphism. This work networks the complexities that nurture decolonial bodies, deconstructed politics and identity. “Portable bunker” is part of the 'Hypervisible Bunker Archeology' project. The bags were filled with coca leaves, the sacred plant of the NASA Indigenous community of Cauca, carrying with it the interior of the sacred for the Amerindian Ancestrality, in contrast to the exteriority marked by the architecture of the conflict (trench). In the middle of that hyperornamented outside and deep deprived inside is the mask. The mask is linked to the “ruana” (poncho-style outer garment native to the Andes) to signify a shamanic doctor who harmonises the night in really long rituals. But the doctor is also inside, like the coca leaves. The ornaments become an index of Latinamerican multi-layered baroque ontologies.
More: https://jdupont.tv/
Through the physical, territorial and protective limits, this work is allowing us to fracture them. For instance, by a visual meditation on the abstractness of war, or a distortion of the perceptible anthropomorphism. This work networks the complexities that nurture decolonial bodies, deconstructed politics and identity. “Portable bunker” is part of the 'Hypervisible Bunker Archeology' project. The bags were filled with coca leaves, the sacred plant of the NASA Indigenous community of Cauca, carrying with it the interior of the sacred for the Amerindian Ancestrality, in contrast to the exteriority marked by the architecture of the conflict (trench). In the middle of that hyperornamented outside and deep deprived inside is the mask. The mask is linked to the “ruana” (poncho-style outer garment native to the Andes) to signify a shamanic doctor who harmonises the night in really long rituals. But the doctor is also inside, like the coca leaves. The ornaments become an index of Latinamerican multi-layered baroque ontologies.
More: https://jdupont.tv/